Descent from the Cross. With the "Descent from the Cross" Christian Schad not only closed a circle of motifs, but also a stylistic period. He never again took up a Christian motif on his own initiative, nor did he ever try again in the symbolic light-dark faceting of the surface.
Descent from the Cross. With the "Descent from the Cross" Christian Schad not only closed a circle of motifs, but also a stylistic period. He never again took up a Christian motif on his own initiative, nor did he ever try again in the symbolic light-dark faceting of the surface.
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